Sneak Peek: V2A - The WASTELAND CHRONICLES - DOOMSDAY

I'm a fan of most post-apocalyptic books, movies and comics, Mad Max is one of my favourite franchises. So when Drone, lead singer of post apocalyptic rock band V2A, got in touch with me offering me a look at V2A - The WASTELAND CHRONICLES - DOOMSDAY a graphic  novel unashamedly set in the same kind of world as Mad Max I was very happy to accept.

In this 52 page full colour comic (is 52 pages long enough to be classed as a graphic novel?) The characters of the band V2A have been brought to life in two connected tales which are described as Mad Max meets Suicide Squad. 

Drone has worked with writer Dave West and artists, PJ Holden and Gustavo Vargas with colours from Matt Soffe to bring this Project to life.  You may recognise the names of Holden and Soffe from their work for 2000AD among many other projects. Gustavo Vargas is an artist I'd love to see working for 2000AD the creator of an awesome collection of Peruvian Cyberpunk comics, including the recent Puno. 

As you might expect from that role call, the quality of the artwork is top notch stuff, I was really impressed. The story itself, for me, wasn't the strongest element here however, it serves as a great scene setter. The excellent world building and characters give a lot of scope for the story to soar as, hopefully, more issues will follow. 

If you want to get your hands on a copy, perhaps one with a variant cover by the awesome Ryan Brown (above) then you can back it here:

https://www.indiegogo.com/projects/v2a-wasteland-chronicles-doomsday#/

The Kickstarter was 800% funded which bodes well for the future and seeing more from Drone and his crew. 

Recommendations: Monsters and Sentinel: To be a Hero

After a bit of a break I thought I'd come back with a couple of recommendations.  First up, after a lot of subtle and not so subtle hints I received a copy of Barry Windsor Smith's Monsters, for fathers day.

I'm sure that you've heard of this book by now, or most likely have a copy, but for anyone who hasn't I can wholeheartedly recommend this book to you.  It's a weighty tome, beautifully bound in hardback form, and quite rightly as it sees the culmination of 35 years work from BWS.  He has written, drawn and lettered this magnum opus of a book, 380 pages of beautiful artwork and gripping story.  The lettering and form of the speech bubbles that guide us through the panels is just awesome, a much overlooked skill. 

The story revolves around a young man, Bobby Bailey, who in 1964 walks into an army recruitment office and sets in motion a course of events that he was always destined to become an intrinsic part of. BWS weaves the story on many levels across many timelines involving the physical and metaphysical exploring themes of fate, destiny, reciprocity and redemption. 

It is an intense, often dark, read but it drew me into its world and wouldn't let me go from the turn of the first page. I sat and read the first 100 pages in one sitting, if it wasn't for family life and things I had to do I reckon I'd have just sat and read it in one hit.  

You may have gathered that I quite enjoyed this book, it's already right up there in my top ten of comics/graphic novels.  Get a copy today, you really won't regret it. 

Next up is a recommendation to check out an upcoming release. It's the 8th book from the guys at Sentinel Comics called 'To be a Hero'. Written by Alan Holloway with art and letters from Andrew Richmond.  

This is the first superhero book in the Sentinel releases and takes us on a nice ride with a few surprises along the way.  It is very meta and cleverly self-referential, I won't say anymore so as not to ruin the read for you but it's not like any previous Sentinel issue.  

I really enjoyed Andrew Richmonds artwork and the styles he plays with here including some great silver age Kirby style even with some crackle in one panel.  I hope to see more from Andrew in the future and no doubt will as he's already been involved with other indie projects such as Brawler and The77.

The Kickstarter launches 10th July (to 7th August), with a modest goal of just £800 to cover all costs involved, including commissioning Mike White for his awesome limited cover, featuring the character Kilowatt Kid. 

Recommendations: Edge of Extinction and Crackpot

It's been a while since the last issue but we can finally get our hands on the next part of the zombie horror comic, Edge of Extinction from writer Baden James Mellonie. I was lucky enough to get a sneak peek of issue #4 from Baden and I wasn't disappointed.  The dial has been turned up to eleven for the action in this one.

Our protagonists find themselves in the middle of an army operation attempting to take down a hoard of zombies.  Giving aid to a wounded officer they head for the safety of a nearby hospital. Guess what, it's not too safe there either and things are taking a new and unexpected turn.

This is a great, fast paced story with art to match, Paul Peart-Smith really conveys the chaos of battling the undead foe on the streets, contrasting with the relative calm of the hospital.  If you've missed out on previous issues or want to get you hands on #4 you can go to the Eighth Continent Publishing Facebook page or visit http://www.eighthcontinentpublishing.com/

As ever you will be able to take your pick of a superb array of variant covers from artists such as Stephen Samson, David Millgate and a cover from Marvel and DC cover artist Ryan Brown which is simply amazing art (see above).

The next comic couldn't be further away from the death and mayhem of Edge of Extinction. It's Crackpot, the newest comic from the team that brings you The Sentinel and I got a sneak digital peek.  Crackpot unashamedly leans into a nostalgia vibe with it's comedy strips that echo The Beano, Nutty and Whoopee.  A range of artists and writers have come together to contribute to this one like Sentinel stalwarts Alan Holloway and Ed Doyle to 2000AD alumnus, Michael Carroll.

The comic boasts 10 strips with only one that's not played for laughs, called Tammy's Troubles.  This is a format reminiscent of humour comics of the past that would carry one, harder edged story among the laughs.  I think my favourite must be Furrious Four, it stars the titular Katana wielding cats in feudal Japan - what's not to like?  With perfect art for the strip from Morgan Gleave.

I'm going to come straight out and say that Crackpot isn't for me, my tastes have changed since my days reading the Beano. However, it's obvious to see the love for the genre, from the writers and artists, that pervades through each strip. So, if you are in the mood for some old school laughs, that harkens back to the glory days of the British humour comics, Crackpot is the one for you.

The Kickstarter for Crackpot is underway now until 3rd of July: http://kck.st/3c1Qg4d

Recommendations: Planet Loss and As Before, So Behind

First up is Planet Loss by Luke Oram, a superb graphic novel that translates a 32 minute song by the band Wallowing.  It addresses problems of today such as social injustice,  greed and oppression of peoples, but mirrored in a dystopian future society. Planet Loss sees one man reach breaking point and make a stand.

The artwork is just brilliant, at times, reminiscent of Geof Darrows art on Hard Boiled. His colours are just gorgeous and bring thus alien world to life.  But what really stands out is Lukes story telling, he has to do the heavy lifting with his art as there is no speech from characters. 

Find Luke via Facebook and PM him if you want to grab a copy of Planet Loss, you really won't regret it.

Full disclosure Luke is currently working on my story "Project Revenant" due to appear in issue #6 of The77.  Look out for the Kickstarter soon.

Set in a very real here and now is As Before, So Behind.  I heard this recommended on The Awesome Comics Podcast by Vince Hunt.  It really is a beautiful, but difficult, book to read as the creator talks to his infant son who died shortly after his birth.  

This hit me hard as it was only a year ago that my own daughter was born. I'm not too proud to say I shed a tear or two.  Just 79p on Comixology, worth a read.

Recommendations: Blazer #1

When I initially pledged for the Kickstarter of Blazer I didn't really know what to expect all I knew is that it was going to be a love letter to British comics of the 70s, with all stories written by the Mightiest of Mighty Ones, Steve Macmanus.  With that pedigree I was sold and happily, after reading, I wasn't let down either.

Straight away the look and feel of Blazer is a time machine, back to the mid 70s, with great little design touches, like an old school price sticker on the front cover. Then we get right into the action with Godwins Law, a fast paced war story with art by Dan Cornwell.  This was a perfect opener with Dan's superb kinetic art blasting off the page - I really want to see him do more war stories. 

Derringer and S'on with art by Colin Maxwell was a throwback to all those American series, from the 70s, that we would sit in front of our huge wooden box TVs and watch. We had the voice over introducing us to the characters and backstory, loads of action ensues and then winds up with a final panel reminiscent of the TV show freeze frame...annnd roll credits. 

These are just the opening shots of the retro fun, we get so much more including a footie story in Boot Room Boy, magic and mystery with, the surprisingly dark and cheeky, Domienicas Ring.  A superb cast of artists including Peter Western and Charlie Gillespie and letterers all bring TMOs' words to life brilliantly. 

There is an argument that we shouldn't glorify the past and that we should always be moving forwards.  But sometimes, especially in the days we're living through right now, it's nice to harken back to simpler more carefree times.  Blazer is a comic that unashamedly wraps the reader in a blanket of action packed nostalgia.  Steve Macmanus, the artists and the guys behind the scenes involved in the production of Blazer obviously have a love and respect for the comics of the 70s that shines through here.  Expect this title to blaze brighter with each issue.

If you want to get a piece of the action you can order it here: https://the77comic.bigcartel.com/

Recommendations: BRZRKR and Puno

It's been a little while and time is short so I thought that I'd give a quick couple of comic recommendations. 

First up is the comic that sparked much chatter when it went to Kickstarter,  primarily shipping costs.  The comic, that includes none other than Keanu Reeves as a co-creator, is BRZRKR.  From what I've read Mr Reeves came up with the idea of an 80,000 year old, immortal berserker warrior and rather than seeing it as a film he thought it better suited to a comic.  Boom comics were more than happy to help bring his idea to life and BRZRKR was conceived.

I was unwilling to pay the pretty huge costs involved in getting the collected trade, via Kickstarter, so I waited and gave issue #1 a shot via Comixology.  Was BRZRKR what I expected and wanted?  In a word yes, it's full of tropes and ideas from other comics and films but, so far, it still ticks the boxes for me. When someone is killed with one of their own ribs that has been broken and ripped out by hand.....take my money!  I'm glad I didn't pay out for the KS, and I won't buy anymore single issues but I will happily get the trade when it inevitably is released by Boom.

Next up is the latest comic from the amazingly talented Gustaffo Vargas called Puno, you may have read his other books on the Comichaus app.  If you haven't I recommend that you search them out, you can also find his work in the free six part Crayta comic. I really enjoy his artwork and particularly, in Puno, his mix of future tech with the tradition and styles of Peru, his country of origin.  You won't believe the double page spreads he creates here - just jaw dropping!

I would personally love to see Gustaffo given the opportunity to render the Mega City and Dredd.  But his talents aren't limited to art alone, his storytelling is superb, original and multilayered.  Get your hands on a copy of Puno and discover for yourself. 

Recommendation: Kent State by Derf Backderf

Things have been very full-on at work recently, particularly as I have been redeployed to a covid vaccination team.  But, to keep my sanity, I've done two things: come off Facebook and I always try to find time to read, either on breaks, or at home. The escapism this allows me is a welcome relief from the stresses surrounding us all right now.

My most recent read was the Derf Backderf book, Kent State, which tells the true story of the killing of four unarmed students, by National Guardsmen, at Kent State University, Ohio on May 4th 1970. You may think that would be the last thing you'd want to read about, in a comic book, at this time but bear with me and I'll try and explain (spoiler light) why this is a book that you should have on your bookshelf.

I'd originally heard about Kent State when listening to The Awesome Comics Podcast and the guys recommended it.  That put the book on my to look into list, but when I heard the later interview with Derf, and the work he'd put into it, that's when Kent State became a must read.

For me it was one of those perfect books, within the first few pages I felt that I was in the 1970s Ohio that Derf had recreated.  The opening chapter recounts the authors own recollections of driving with his mom, past ranks of National Guard soldiers as they held back Ohio truck drivers union members from attacking "scab" drivers who were breaking a strike. This is followed by seeing a young Derf watching TV with his parents while Nixon broadcast to the nation informing them of the scaling up of the  Vietnam war.  This announcement was the spark that led to a lot of protests on university campuses all over America as it would mean a greater amount of young men being drafted into the army.

Kent State University became a focal point for the paranoia of government and local law enforcement thinking that radical and "commie" students were rife within the university and its community.  This led to the deployment of a very tired, nervous and highly strung National Guard Unit to the university.  The rest of the book describes the following days leading up to the fateful day and introduces us to the soon to be victim's.

What Derf does here is build the tension beautifully and gives us an insight into the minds of both the students and the National Guardsmen.  He has done a great amount of research and spoken with the relatives and friends of those involved.  The book has no bias but just relays the facts of the awful event.  

I'm always a sucker for black and white art as I feel it can convey so much more emotion than when colour is used, it draws me into the story every time. Derfs art certainly does that here with brilliant detail in every panel, even the dandelions in grass verges are faithfully recreated.  I'm not normally a fan of info dumps or prose in my comic books but the style in which Derf presents the information needed here to keep the story concise is perfectly done so as not to lose the readers interest, or the flow of the book.  

When it came to the day of the shootings I actually held off reading, as I had gotten so involved in the lives of the soon to be victims. But read on I did and it was horrible to see and read about the deaths of those caught in the path of the rounds fired by the National Guardsmen.  But Derf handled the moments with both the reality and respect the killings deserved. The book ends with sources cited and more background information for each day covered in the book.

We are 50 years on from the events in Kent State and yet, in many ways it seems that nothing changes, there are still lessons to be learned from this awful event.  This is simply one of the best graphic novels I've read, no supes, no caped crusaders just real and tragic events brilliantly brought to life.  If this book doesn't win awards it'll be a travesty, a real must read!